INCULT
Curated by Tony Romero — Art director, Paris.
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RAF SIMONS / STERLING RUBY
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THOMAS PRIOR.
Turkey and Greece for Afar Magazine.
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likeafieldmouse:

Joachim Bandau
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likeafieldmouse:

Zachary Norman - Exotic Matter (2014)
likeafieldmouse:

Zachary Norman - Exotic Matter (2014)
likeafieldmouse:

Zachary Norman - Exotic Matter (2014)
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tapist:

Maria Luisa - posti a sedere
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likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
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randyvee:

But in case you thought I was going soft, have something nicely #brutalist just opposite. #euston #library #brutal_architecture
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trnscndnt:

Sweden #3774 
Jan Zimmerman
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tapist:

top aperture -dach kaufhaus am alex
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appil:

Christopher Schoonover // Portfolio // Instagram // Flickr // Facebook